Studio Max Italiaander

Kan Yama Kan

Stories within stories, moving between the real and the imagined.

Kan Yama Kan reimagined the world of 1001 Nights as an original stage production in Riyadh.

At 59 Studio, I worked within the concept team developing the show’s video language alongside the spatial design, shaping how the production could move from grounded, recognisable worlds into something more fantastical.

As Senior Video Designer, I developed visualisations and storyboards through the concept phase before handing the project into production.

Role

Senior Video Designer (Concept)

Created at

59 Studio

Format

Theatre / Spatial Media

Location

Riyadh, Saudi Arabia

Kan Yama Kan: The Empress and the Three Times Killed Fool on stage
Image Credit: 59 Studio

Two worlds, one stage

The central challenge was transformation: the same stage had to hold both the real world and the imagined stories nested inside it.

A traverse stage sat within a ring of rear-projected surfaces. Gauzes could move into the space to create courtyards, extensions or completely envelop the performers, while floor projection added another layer beneath them.

More grounded scenes used a relatively realistic visual language. As the storytelling moved into fantasy, the imagery became more illustrative and evocative.

Kan Yama Kan: Furat and Dajla beneath a blue projected sky
Image Credit: 59 Studio
Kan Yama Kan: The Barber and Sayf in the theatre
Image Credit: 59 Studio

Designing for change

An open brief creates a different kind of problem: not finding possibilities, but deciding which ones are worth pursuing.

We explored different ways the stage could transform while keeping the production workable, balancing spectacle with live changeovers, minimal props, projection surfaces and the practical realities of performance.

The resulting system gave the show room to keep changing without needing to rebuild the world for every scene.

Kan Yama Kan: calligraphy and colour across the stage panels
Image Credit: 59 Studio

Project credits

Video Design: Max Italiaander at 59 Studio
Max’s involvement focused on concept development, visualisation and storyboarding before handover into production.

Video designers: Dale Croft, Catherine Woodhouse and Max Italiaander.
Design director: Leo Warner.
Stage and set designer: Claudia Fragoso.

Directed by Will Tuckett, written by Jude Christian and produced by Wonderjunkie and Anthology.

Production images courtesy of 59 Studio.

Full project credits ↗

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